Dec 152011

Taproot best of 2011 logoIn the six years I’ve been hacking away at Taproot Radio, the thing that keeps me going is that every CD that shows up in the mail has something going for it. Every single CD has an enthusiastic, heartfelt band or singer behind it. I get a kick out of the enthusiasm people have for their music.

But some CDs are better than others. Some folks are still working on their musicianship and some folks are still trying to learn the elusive art of songwriting.

And some CDs knock my socks off. Every now and then I’ll be slogging through what seems to be the 100th not-quite-ready-for-prime-time CD and I’ll slide one into the car player that blows me away. When the music’s right and the lyrics are right, and the band’s attitude is right everything feels right with the world.

This year’s Taproot Best of 2011, as always, comes from CDs that have been submitted to Taproot Radio. And the number of CDs that came into the station was the largest ever. So these 20 CDs are truly the cream of the crop. I’m proud to be able to share them with you.

Enjoy. As always I value your thoughts and feedback in the comments or by email. And please, support and thank these artists. They deserve it.

Calvin Powers, Music Director, Taproot Radio

1. Queen Of The Minor Key – Eilen Jewell

queen of the minor key by eilen jewellEilen Jewel’s had hints of rockabilly in her previous CDs, hidden behind the blues crooning and the sweet country twangs. But on Queen of the Minor Key, Eilen Jewell bring the rockabilly front and center, just to prove she can. She’s still got the surf guitar, blues, and country bits in these songs. Most importantly her strong feminine voice carries it all. By all rights Queen of the Minor Key ought to be an instant rockabilly classic.

Queen of the Minor Key on iTunes


2. Old Mad Joy – The Gourds

old mad joy by the gourdsThe problem with every Gourds CD that comes out is that you have to get over the “but it doesn’t sound exactly like the last CD which I liked so much” problem. They never go for a radical change from one CD to the next. They just keep evolving and growing in new directions. This year’s Old Mad Joy is no exception. They’ve moved in to full-on rock and roll territory on Old Mad Joy, with Jimmy Smiths’ lyrics being just as obtuse and intriguing as ever and Kevin Russel’s mandolin taking a beating like never before. They keep adding instruments. They keep adding more and more vocals. The sound just keeps getting richer, grittier, heavier and, well, funner. The Gourds are still the best bar band ever in my book.

Old Mad Joy on iTunes


3. Eleven Eleven – Dave Alvin

eleven eleven by dave alvinNo one makes you want to drop what you’re doing to run off and join a band like Dave Alvin does. His blues rock vibe has just the right mix of bittersweet sleaze and aloof indifference to the facts of life most people have to pay attention too. This year’s Eleven Eleven rides into my top 10 on the strength of “Johnny Ace is Dead” with good support from “Harlan Country Line” and “Black Rose of Texas.” I also give him props for having the guts to include a song like “Dirty Nightgown” in the mix as well.

Eleven Eleven on iTunes



4. The Lost Notebooks of Hank Williams – Various Artists

the lost notebooks of hank williamsIt’s not just a historic project destined to sit on the shelves of museums. It’s also a really fine CD, carried both by the amazingly powerful melodic simplicity of Hank Williams’ lyrics and the “posthumous collaboration” from 13 stellar singer/songwriters who knew how to stay true to the Hank Williams sound. Hardly a weak track on the CD.

The Lost Notebooks of Hank Williams on iTunes

On Episode 68 of the Taproot Podcast, listen to a special audio show about the making of The Lost Notebooks of Hank Williams. 13 singer/songwriters were given the opportunity to set lyrics from Hank Williams’ notebooks to music and perform them on the CD. On this show hosted by Alejandro Escovedo, we hear the artists such as Jack White, Rodney Crowell, and Alan Jackson talk about what it was like to “collaborate” with Hank Williams. (To be released on December 26, 2011)


5. To Drink The Rain – Malcolm Holcombe

to drink the rain by malcolm holcombe Like all great visionary artists, Malcolm Holcombe sounds equal parts childish, grandfatherly, and crazy. His Appalachian blues/soul music has a tough as nails energy to it without losing the foot tapping appeal. Studio musicians have said they would fight for the right to play on a Malcolm Holcombe CD and To Drink The Rain shows you why.  This is one of those CD’s that I’d like to put every track into rotation, but I limited myself to “One Leg At A Time,” “Down In The Woods,” “Becky’s Blessed (Backporch Flowers),” “A Mighty City,” and “To Drink The Rain”

To Drink The Rain on iTunes

On episode 44 of the Taproot Podcast, talks about living in the North Carolina Mountains and talks about 3 tracks from the CD, To Drink The Rain.

6. Bad Ingredients – Scott H. Biram

bad ingredients by scott h biramThe dirty one man band is back with Bad Ingredients. Some people have tried to characterize this CD has his “quiet” album. But as I said in my review, “quiet” is a relative term in this context, more along the lines of channeling his demons rather than exorcising them.My focus tracks were “Black Creek Risin’,” “Dontcha Lie to Me Baby,” “Hang Your Head and Cry,” and “Memories of You Sweetheart.”

Bad Ingredients on iTunes


7. If I Walked on Water – Ted Hefko And The Thousandaires

if i walked on water by ted hefko and the thousandairesTed Hefko writes New Orleans inspired jazz that appeals to the NYC crowd. That’s a tall order but he and his band, the Thousandaires know how to make music that sounds upbeat, sophisticated, and fun while staying true to the spirit of New Orleans. Think of him as an urban Dr. John. My focus tracks are “If I Walked On Water,” “It’s Cold In Here,” and “You’ve Gotta Take Steps.”

If I Walked On Water on iTunes

On episode 66 of the Taproot Podcast, Ted Hefko talks about the extremely competitive music scene in NYC and how that’s a positive influence on artists, how Dylan’s early work was a huge inspiration for him, riding the Greyhound Bus to move to New Orleans when he was just out of high school, and learning to “fix his face.”

8. More Like A Good Dog Than A Bad Cat – Mark Jungers

more like a good dog than a bad cat by mark jungers The Texas highways are littered with the discarded Texan  songwriters who failed the authenticity sniff test. But veteran singer Mark Jungers has survived, writing songs that fit the here and now of  rural Texas without sounding cheap or pandering. My focus tracks are a”Show Me A Sign,” “Wasn’t Thinking,” “50 Head,” and “Drive.”

More Like A Good Dog Than A Bad Cat on iTunes

On episode 47 of the Taproot Podcast, Mark Jungers talks about the upcoming Frio River Festival, how he came up with the title “More Like A Good Dog Than A Bad Cat,” and why he needed to write a cattle-rustling song,


9. Paladino – Paladino

paladino Most of Paladino’s songs explode out of the psyche of lead man Jonathan Harkham so fast that the backing band can hardly keep up.  You don’t so much listen to them as hit against them like flying into the side of a beautiful southern California mountainside. The things is, you’ll want to thank the band when it’s done. My focus tracks are “Have You Ever Been Lonely,” “Lonely Mountain,” “Mexicali Rainsong,” “Ode To Misery,” and “Snow Deer.”

Paladino on iTunes

On episode 67 of the Taproot Podcast, Joanathan Harkham talks about trying to capture the textures of the southern California landscape and latino culture, listening to his mother’s country music while growing up in Los Angeles, and why he chose to cover “Green Green Grass of Home.” (To be published on December 19, 2011)

10. Who Was That Man? – Tokyo Rosenthal

It would be a mistake and a shame to saddle Tokyo “Toke” Rosenthall with the label”singer/songwriter.” Better to call him one of the most entertaining story tellers working today. His latest CD, Who Was That Man?, unfolds like the opening credits of an epic western movie, complete with dramatic mariachi horns. There are elements of “Country and Western” music woven throughout the CD, but he’s not riding off into cliche’ territory. He’s just setting expectations for a set of songs that are borderline mythic ballads. Highlights for me are “Maybe I’ve Been Where I’m Goin’,” “San Antone,” and the bizarre and catchy tune, “The Librarian.”

Who Was That Man? on iTunes

On episode 50 of the Taproot Podcast, Tokyo Rosenthal talks about the award he won for his song “Black To Blue,” his experience with European “listening rooms,” and where he got those mysterious horn players on his latest CD.

11. Middle of Everywhere – Pokey LaFarge & the South City Three

middle of everywhere by poky lafarge and the south city three Not since the Squirrel Nut Zippers has 20’s/30’s/Depression era music been so fun. I don’t know how a group of young guys can make such achingly authentic music, but they do it. They treat it like the fun romp this sort of music was always intended to be. The track “Mississippi Girl” could earn the CD a spot on anyone’s Best of list all by itself. “So Long Honeybee, Goodbye,” and “Head to Toe” are winners too.

Middle of Everywhere on iTunes


12. Bad Man’s Blood – Ray Bonneville

bad man's blood by ray bonneville Ray Bonneville is one of the best barroom balladeers working today not to mention a guitar player second to no one. Whether he is pounding on it like a rock and roll star or creating bluesy atmospherics, he knows how to tell a story in song and music. Every song will keep your attention. There’s always something building in there. Think Dave Alvin, but more rugged, more scarred, more stories.  Highlights for me are “Bad Man’s Blood,” “Sugar and Riley,” “Mississippi,” and “Blonde of Mine.”

Bad Man’s Blood on iTunes

On Episode 52 of The Taproot Podcast, Ray Bonneville talks about whether or not he’s a blues man, his time in New Orleans, and the spaces in his songs.

13. Okra And Ecclesiastes – Grant Peeples

okra and ecclesiastes by grant peeples Grant Peeple’s third CD, Okra And Ecclesiastes wins my reward for best original CD title in, oh, well, a long time. Some how that title builds an image of Deep Woods Gothic that permeates the whole CD and Grant follows through with Ray Wylie Hubbard style lyrics and gritty, grindy, guitars. Highlights for me are “Power Lines,” “Down Here In The Country,” and “My People Come From Dirt.”

Okra and Ecclesiastes on iTunes

On episode 31 of the Taproot Podcast, Grant Peeples talks about selling music on the honor system, his North Carolina connection, and how he nearly set his dog on fire.

14. Welding Burns – Rod Picott

welding burns by rod picott Rod Picott’s latest CD, Welding Burns, is just right for the times, which is to say it’s about tough people working their way through hard times. It’s a CD full of stories about people doing the right thing sometimes, and sometimes, well, not so much. Picott’s CD comes across as a set of tough as nails rock and roll ballads tempered with just a little bit of mournful country twang. Highlights for me are the title track, “410,” and “Sheetrock”.

Welding Burns on iTunes


15. Ghost Stories – Eric Hisaw

ghost stories by eric hisawEric Hisaw has a way with the Joe Sixpack Rock and Roll Ballad. His songs deserve to be turned into anthems for the working class. All the characters in his songs are so real you’d swear you’ve met them before. My focus tracks are “Johnston County,” “California,” “Don’t Live There Anymore,” and “The Love She Wants.”

Ghost Stories on iTunes

On episode 53 of the Taproot Podcast, Eric Hisaw talks about his cheap living days, the writers who inspired him, and the challenges and rewards of writing songs about your family.

16. Wreck And The Mess – Scotty Alan

wreck and the mess by scotty alan Scotty Alan knows how to write songs with a hook in them. Wreck and the Mess wins my 2011 award for most songs I like to sing along with at the chorus. Most songs are driven by an acoustic guitar riff that could be at home in a punk band, which is pretty much where Scotty cut his teeth musically.  My focus tracks are “Good-Bye,” “Your Hero?,” “Long Ways From Laughin’,”  and “Ain’t Much.”

Wreck and the Mess on iTunes

On episode 63 of the Taproot Podcast, Scotty Alan talks about living in the wilds of Michigan, his punk rock days, making music at home, how he found himself in Los Angeles to record his CD, Wreck and the Mess, and his “Irish roots.”

17. The Sun Session – The Border Blasters

the sun session by the border blasters I have to give props to The Border Blasters’ new CD, The Sun Sessions.  It was recorded in the legendary Sun studios in Memphis, but these songs are so easy-going and relaxed it has a back porch music vibe which I really really like. This is a fantastic CD to listen to after a hard day’s work.

The Sun Session on iTunes

On episode 64 of the Taproot Podcast, Todd Jagger and JR Harrell talk about listening to border radio stations when they were kids, their own radio show, the joys of Texas swing, and their experience recording in Sun Studios with ghosts looking over their shoulder.

18. Another Lost Highway – Arty Hill

another lost highway by arty hillHere’s what you need to know about Arty Hill and his band, The Long Gone Daddys. They are the the best honky tonk band working today. Their songs are original, fun, and just right for the times. Yeah, they cover the classic tried and true honky tonk songs at their live gigs. But you’ll want to dance to their originals even more.

Another Lost Highway on iTunes

On episode 60 of the Taproot Podcast, Arty Hill talks about changing the name of his most recent CD, his theory of what makes a song great, getting preloaded on a Ford, and why he had to write a song about drinking charcoal.


19. Wood And Stone – Tara Nevins

wood and stone by tara nevins Tara Nevins’ solo CD, Wood and Stone, is a deeply personal set of songs about working through relationships, work, and life in general. But she manages to make them universal  and you’d swear she’s singing about your life by the time you get to the end of the CD.  You can hear strains of her Donna The Buffalo music in this CD, but at the end of the day, this CD is Tara’s voice.

Wood and Stone on iTunes

On episode 40 of the Taproot Podcast, Tara Nevins from Donna The Buffalo discusses her new solo CD, Wood and Stone, her reunion with her previous band mates, and announces the location of the new Grass Roots Festival.


20. Lie To Me by Bettysoo and Doug Cox

lie to me by bettysoo and doug cox Two great voices, a guitar, and a dobro is all it takes for Bettysoo and Doug Cox to knock it out of the park with their latest CD, Lie To Me.  Bettysoo’s voice is strong, feminine, and mesmerizing, and Doug Cox’ guitar riffs are a perfect complement, soulful, tight, and clear. The CD  highlight the duo’s strengths and range from old-school Doug Sahm to more modern fare like Jane Siberry. Highlights for me are “Lie To Me,” “Boxcars,” and their cover of “Dublin Blues.”

Lie To Me on iTunes

On episode 51 of the Taproot Podcast, Bettysoo and Doug Cox talk about their one year anniversary as musical collaborators, their naming challenges, and the sensuous mysteries of the dobro..


Dec 122011

Ted Hefko talks about the extremely competitive music scene in NYC and how that’s a positive influence on artists, how Dylan’s early work was a huge inspiration for him, riding the Greyhound Bus to move to New Orleans when he was just out of high school, and learning to “fix his face.”

Ted HefkoTPR#66 Ted Hefko – Interview and Music (MP3)


Jack Benny PSA on the importance of racial and religious tolerance.

Show Notes:

Recap of Interview With Ted Hefko

Ted Hefko talks about moving to NYC in 2003 and putting out his first CD a few years later. But he spent his formative years in New Orleans and that’s always the center of his musical focus. Egyptland was specifically looking at New Orleans and its changes. This CD If I walked on water is a lot more playful.

Ted Hefko talks about how competitive NYC is and how that’s a good thing because it pushes you. New York is all about original music. It’s not background music. It’s on a stage to say “This is something I created.”

Ted Hefko introduces the title track, “If I Walked On Water”. It’s got a gypsy jazz flavor. Ted had to push himself on clarinet on this on. A playful song of courtship done in the language of the King James Bible, with Old Testament reference.

Ted Hefko talks about the band and how the CD is really a group effort. Trumpet player Satoru Ohashi. Was in New Orleans with Ted. He has a very positive spirit. The guitarist Luca Benedetti and he is not a straight ahead jazz guitarist. He does bluegrass also. He put out an instrumental telecaster CD And Ted wanted to pull something like that on to the CD to show him off some. Scott Ritchie great bass player in New York, “people sound a lot better when Scott’s around.” Moses Patrou plays drum and a little bit of piano. They went to grade school together. His dad is a singer of old time blues and Moses gets a lot from that. Guests: Billy Blend on  Hammond organ. Neil Thomas plays on accordion.

Ted Hefko talks about the name of his backup band, The Thousandaires. First heard the word on a Saturday Night Live skit “Who wants to marry a ten thousandaire.” so he took off from there. .

Ted Hefko talks about his neighborhood. Williamsburg at northern end of Brooklyn which has become a popular area for music with good paying gigs. They also like to play The Shrine in Harlem.

Ted Hefko introduced “You Gotta Take Steps If You Want To Get Started.”

Ted Hefko talks about his inspiration. When he was a kid we worked on songwriting. Then focused on sax for a while. Then he started back into songwriting. One of the first albums that got to him was Dylan’s Nashville Skyline. Ted also has a Dr. John influence. Howlin’ Wolf and Willie Dixon speaks to him. And of course Duke Ellington and the lyricists that worked him.

Ted Hefko starts with the lyrics and then lets them take him where they need to go musically and this time he was fitting the music into the band. But he doesn’t see himself as a strictly jazz guy. He does like the whole CD to fit together and not sound like individual songs

He introduces Greyhound Coach. He rode one at 18 when he moved to New Orleans. Spent the trip next to a call girl twice his age who explained to him the ins and outs of the business. Went to New Orleans with a foot locker of personal stuff, a sax and a couple of guitars. Ted says that New Orleans is very welcoming, everything smells moldy, but the thick air is also like a blanket.

I asked him if these hard economic times makes people more receptive to his feel good music. Ted said he tries to create a good value with his music and making sure his music is entertaining. He’s not so much into the cult of personality in music.

He talked about a lesson he learned in New Orleans. Some of the old guys would tap him on the shoulder and tell him to “fix his face.” By that they mean he needs to smile an remember that the audience came to see and hear him and he needs to act like he’s having a good time.

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The Taproot Radio Podcast is copyright 2011 by Taproot Media. The music and interviews in this episode are used with permission of the artists. The Taproot Theme music is called “Meltdown Man” by Derek K. Miller of The episode as a whole is copyright 2011 by Taproot Media.


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My Little Margie – Ted Hefko

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Nov 022011

Ted Hefko and The Thousandaires perform “Margie” written (by Con Conrad and ragtime pianist J. Russel Robinson, Lyrics by Benny Davis) at Spike Hill in Williamsburg Brooklyn, Tuesday, May 11th 2010. Personnel: Ted Hefko, Tenor Sax and Vocals, Luca Benedetti, Telecaster Electric Guitar, Scott Ritchie, Upright Acoustic Bass, Moses Patrou, Drums. Video by Dave Orsborn.

Hear Ted Hefko talk about the NYC music scene and his New Orleans inspirations on episode 66 of the Taproot Podcast.